The Dayton Arcade is a collection of nine buildings in Dayton, Ohio. The Arcade is a historic, architecturally elegant complex in the heart of Dayton's central business district. Built between 1902 and 1904, it was conceived by Eugene J. Barney of the Barney & Smith Car Company and consists of nine interconnecting buildings topped by a glass-domed rotunda, high and in diameter (detailing around the dome includes oak leaves and acorns, grain, rams' heads, wild turkeys, and cornucopia), below which two balconied upper floors circle the central enclave. As president of the Arcade Company, Barney made sure the Arcade had the latest innovations, including elevators, a power plant and a cold-storage plant. The architect was Frank M. Andrews, known also as architect for many of NCR Corporation factory buildings (notable for their use of progressive fenestration) and the American Building (originally Conover) at Third and Main Streets in Dayton.
The souvenir program book for the Arcade's grand opening says "The construction of the splendid group of buildings, known as the Arcade, was commenced on March 1st, 1902 and completed on March 1st, 1904. The Third Street Building has a frontage on the Third street of 66 feet and was built by Mr. M. J. Gibbons and The Dayton Arcade Company. The Office building has a frontage on Ludlow Street of 66 feet, and the Apartment Building has a frontage on Fourth Street of 200 feet. The buildings are of steel and concrete, have fireproof construction throughout, and possess every modern equipment and convenience. The elevator service is furnished by six Otis electric elevators, and the Power Building is equipped with a complete steam heating, electric light, and refrigerating plant of the most modern type. Through each building runs spacious arcades, richly constructed of marble and mosaic tile, converging into the Arcade Market House, which, with its magnificent glass dome and beautifully decorated galleries surrounding and overlooking the Market House, is unlike any building in this country; artistic in conception and perfect in execution."
Following the Progressive Era's focuses on public health, the Dayton Arcade was constructed to be a clean and safe hub for food distribution. Originally, the main spaces were used for a major food market, with retail stores, offices, and apartments on the upper floors. Through the first four decades of the twentieth century, this super supermarket and retail center was one of Downtown Dayton's prime attractions and destinations, offering the unusual in fruit and vegetables, seafood, baked goods, food specialties, meats and meat specialties, fresh-cut flowers, and assorted luxury items available in or out of season. It was coined in 1924 to be "The City Within a City" and said that one-sixth of the population of the city passed through the Arcade daily.Unknown Author, "A City Within A City," Dayton Daily News, Feb. 24, 1924. Found in "Arcade History Part 2: 1913-1945, Two Wars, One Arcade", University of Dayton Arcade Project
The 1930s brought the Great Depression, and though the Arcade remained a fixture of the downtown commercial district, it still suffered as the city was hit hard economically. By 1940, there were only 25 merchants left, down 35 from the year prior.Andy Rosta, Jack Gesuale, Fatima Alfaro, Elise McTamanay, Caroline Waldron Merithew, and J. Todd Uhlman, "Arcade History Part 2: 1913-1945, Two Wars, One Arcade," University of Dayton Arcade Project.
The Arcade did see a decline with the construction I-75 and other interstate highways. I-75 and US 35 essentially severed West Dayton, a major hub of customers for the Arcade, from the rest of the city.Chris Koester, "Topical Histories: African Americans at the Arcade," University of Dayton Arcade Project
In 1974, the Arcade was placed on the National Register of Historical Places.
An Ohio not-for-profit group, "Friends of the Dayton Arcade" was created to advocate for the Arcade Building. The group published a book in 2008 entitled, "The Dayton Arcade; Crown Jewel of the Gem City. " The former owner owes several hundred thousand in back taxes. This tax obligation was purchased by American Tax Funding. The sheriff's sale occurred on March 12, 2009, and the building was purchased by Dayton Arcade, LLC, for the minimum bid of $615,106.02. The new Arcade owners, Gunther Berg and Wendell Strutz said they would begin work on the Arcade in 6 months to restore the building to its former glory (with mixed-use developments - housing, offices, restaurants, and commercial space). Early estimates on the restoration totaled $30 million.
According to Petitjean, Cross Street Partners and Miller-Valentine have collaborated on past projects and "bat 1,000" on redevelopment projects of local properties. It was also stated that the financing for the project will take some time - as much as three to five years before a project could be complete.
Planned funding for the project includes the application for nine percent competitive housing tax credits through the Ohio Housing Finance Agency. These funds are awarded to low-income housing projects, of which the planned artistic housing is a part. Additionally, state and federal historic preservation tax credit awards will be a crucial part of the plan. The developers successfully obtained $5 million in historic tax credits and $20 million in low-income housing credits for the first phase. Construction on phase one is set to begin early in 2018 and take 14–18 months to complete once all financing has been arranged.
Miller-Valentine And Cross Street Partners have updated their Phase 1 plans to include the renovation of the rotunda as well. It is estimated that the costs of the first phase will be between $56 million and $80 million. These new plans include space for a brewery and a coffee shop. Other amenities may include another cafe and a grocery store. The developers also revealed their plan to create 126 apartment units in the first phase of this project which have been outlined below:
The event celebrates both the rebirth of the Dayton Arcade redevelopment as well as the revitalization of the Dayton arts community after a yearlong pandemic.
Dayton Arcade has residents for the first time since 1978. Tenants started moving into the arcade in early April 2021, and the Art Lofts initially received about 80 applications from potential tenants.
Four of the arcade’s nine interconnected buildings offer apartments: the Fourth Street building (39 units); the Lindsey building (36); the Ludlow building (21) and the Commercial building (14).
Seven apartments are market-rate units, the rest of the units are affordable housing that must meet income restrictions set by the U.S. Department of Housing and Urban Development (HUD). These are designed to appeal to artistic professionals, makers, and creative-class entrepreneurs, officials said.
The University of Dayton's major investment on the Dayton Arcade in a joint venture agreement with the Entrepreneurs’ Center have entered into a 10-year lease to become the anchor tenants for the Arcade with “The Arcade Innovation Hub Powered by PNC Bank,” a 95,000-square-foot space devoted to creativity and collaboration.
A grand opening virtual tour hearing the vision of community leaders and developer Cross Street Partners took place on Thursday, March 4. The Hub’s completion marks the first phase of a multi-year restoration of the 1904 landmark.
Startup Grounds, The Hub Powered by PNC’s new bistro featuring food from local underrepresented, minority-owned, and women-owned vendors, opened Sept. 16 2021 at the Dayton Arcade.
The Dayton Arcade's initial anchors also include Culture Works who moved into its new location in the spring of 2021. The group occupies 2,000 square feet of space on the second floor of the Arcade, with office windows looking out onto Ludlow Street and near the rotunda inside.
Culture Works has been named the manager of the event space of the South Arcade, which includes the rotunda area and the tank space. The group is launching a subsidiary under the Culture Works umbrella to manage these event spaces called CW Events and a percentage of revenue will be reinvested into the arts community.
"This money will be used as a catalyst for arts and culture growth," said Executive Director Lisa Hanson. "This move helps us evolve our mission into multiple revenue streams and will help grow the arts as a key economic driver in the region."
The Contemporary Dayton joined Cultureworks and the University of Dayton as Arcade tenants officially opening its doors to its new home Friday, April 30, 2021, with a free opening party for the public. The Contemporary Dayton, also known as The Co, and formerly known as the Dayton Visual Arts Center, has nearly doubled in size to 6,224 square feet at the Dayton Arcade, with five galleries incorporated into the new space.
In May 2025, a new Hilton Garden Inn hotel had a soft opening within the Dayton Arcade, ahead of a NATO conference being held within the city. The Arcade is set to fully reopen a couple months later, with additional shops.
== Gallery ==
/ref> If correct, that meant 29,000 people passed through every day.
Retrieved May 8, 2020. Dayton's industrial sector improved significantly during WWII and afterward, which directly correlated with the Arcade regaining strength. There was plenty of discretionary income which was now being spent at the "City Within a City". In 1952, the Arcade was sold to Robert Shapiro for $2.5 million.Nate Sikora, Phil Drayton, Chandler Mott, Caroline Waldron Merithew and J. Todd Uhlman, "Arcade History Part 3: 1945-1980, Boom to Bust," University of Dayton Arcade Project
Retrieved May 8, 2020
Retrieved 8 May 2020 This, along with the white population of Dayton moving to the suburbs in droves, saw the Arcade lose its major customer bases and soon fell into decline by the 1970s.
1980s renovation
Dayton Arcade Task Force
"Dry and Stable" initiative
Dayton Arcade and Rotunda Tour (1 of 3)
Dayton Arcade Roof Tour (2 of 3)
Dayton Arcade Apartment and Office Tour (3 of 3)
2000s redevelopment
Phase 1
Estimated Rent $358.00 - $669.00 $429.00 $870.00 $981.00
Phase 2
Waking the Giant
Reopening
See also
Further reading
External links
|
|